C1The choir organ was built by Cavaillé-Coll in 1874, replacing an organ from 1858 built by the same builder. This instrument, from the series "number 18" of the catalog of the House Cavaillé-Coll has remained almost entirely intact to this day.In 1932, it was overhauled by Paul-Marie Kœnig. Installation of a new 30-note pedalboard with 2 drawbars of 30 notes as well. To do this, the two satellite boxes were installed around the small console of Cavaillé-Coll.Two pedal stops: Soubasse 16' and Bourdon 8' (borrowed from the 16' Bourdon). To put the register gauges, Kœnig drilled the Cavaillé-Coll cartridge! The pedalboard is offset...In 1986, restoration by Jacques Barberis (in fact his successor Jean-Pierre Swiderski): the organ was moved to its current location, to the left of the choir. Before, he was in the middle of the choir. Installation of a fan, installation and voicing of 56 pipes of the Plein-jeu in 70% pewter (which had been stolen!).Photos: Vincent Hildebrandt
C1The choir organ was built by Cavaillé-Coll in 1874, replacing an organ from 1858 built by the same builder. This instrument, from the series "number 18" of the catalog of the House Cavaillé-Coll has remained almost entirely intact to this day.In 1932, it was overhauled by Paul-Marie Kœnig. Installation of a new 30-note pedalboard with 2 drawbars of 30 notes as well. To do this, the two satellite boxes were installed around the small console of Cavaillé-Coll.Two pedal stops: Soubasse 16' and Bourdon 8' (borrowed from the 16' Bourdon). To put the register gauges, Kœnig drilled the Cavaillé-Coll cartridge! The pedalboard is offset...In 1986, restoration by Jacques Barberis (in fact his successor Jean-Pierre Swiderski): the organ was moved to its current location, to the left of the choir. Before, he was in the middle of the choir. Installation of a fan, installation and voicing of 56 pipes of the Plein-jeu in 70% pewter (which had been stolen!).Photos: Vincent Hildebrandt